"Facet of Life"
2024
Ｍodeling Paste, Resin, Iron, Acrylics, Light
壓克力增厚劑，樹酯，黑鐵，壓克力，燈
The series of works capture the overlapping facet created when two things attach onto each other. It can be an evidence of past existences. It may altered the way we perceive the world - from making the existence of something from three dimensional into one. It also tells the stories of one forces suppress onto the other, a residue, or an imaginative one, even.
這系列作品捕捉物與物間的各樣接觸面，像是手搖杯放於地上留下的水漬、水桶上被雨水侵蝕過的灰塵、又或燈罩下眾多的昆蟲屍體。它可以指涉一個物件或事件在某處的曾經在場、它可以是兩股力、又或一股力強制作用於另一物件而留下的痕跡、同時透過將一個三維物件被迫減至一維的底面，它轉換了我們對事物的既定認知方式。
Weight (lived)
2024 | Acrylic, Gel Medium, Iron, Light
The process of making this work was rather fun. I was walking around in the fine art department building, collecting fresh corpses of insects (pretty ones only of course, they have abundant there), and later prints them on to lights I made. It began as a sensation towards lights, and leads to the result of life fading away, collectively, on one single surface.
2024年的某個半夜，我和朋友兩人在美術系館走走停停，找尋各種昆蟲的新鮮屍體，我負責選、他負責抓：蝴蝶、蜜蜂、蛾、蜻蜓、版畫教室甚至有壁虎。不到20分鐘就裝滿了手上的盒子，後來這些屍體被用於這件作品的製作。它涵蓋幾盞燈，透過燈的投射，在底下照出各種昆蟲痕跡的影子 — 從對於光本能性的迷戀、到最後集體消逝在同個平面上。當時手上的盒子很輕，想了想，就算死了幾百隻應該還是一手提的起的重量。
"Dust on A Bucket"
2024
壓克力增厚劑，壓克力，燈
Ｍodeling Paste, Acrylics, Light
20 * 20 * 0.5 cm
Behind the Scene
